Playwright's Background
Major
characters in A Raisin in the Sun
1. Walter Lee Younger
1. Bobo
The
playwright, Lorraine Hansberry, was born in 1930 in Chicago. Her parents were
anti-racial activists against the whites who oppressed the black society due to
colour difference. She attended a segregated public school. She wrote A
Raisin in the Sun in 1959.
As a dramatic
piece, A Raisin in the Sun explores the tension between the
whites and the blacks in the south side of Chicago. The play features the strain
with the black community over how to react to an oppressive white community. As
a revolutionary play, Hansberry creates in the Younger's family one of the
first honest depiction of the black about assimilation and identity. She uses
the characters of Beneatha and Joseph Asagai to reveal a trend towards
celebrating the African heritage. These characters in the play are
used to represent those Africans who are geared towards promoting their African
heritage irrespective of the place they find themselves. Through the character
of George Murchison, Hansberry exposes the attitudes of those Africans who are
not proud of their ancestral root. As such, they can trade it for anything,
especially their cultures. George Murchison represents an African assimilating
into the white world, and this is why Beneatha rejects his proposal. The play
serves as a cultural document in American history in relation to gender and
racial issues predominant in then America.
When the play
opens, the Youngers are about to receive an insurance check for $10,000. This
money comes from the deceased Mr Younger's life insurance policy. Every adult
member of the Younger's family has an idea as to what he or she would like to
do with this money. The Matriarch of the family, Mama, wants to buy a house to fulfil
a dream she shared with her late husband, Mr Younger. Mama's son, Walter Lee,
would rather use the money to invest in a liquor store with his friends. He
believes that the investment will solve the family's financial problem forever.
Beneatha, Walter's sister and Mama's daughter, wants to use the money for her
medical school tuition. She also wishes that her family members were not so
interested in joining the white world. She tries to find her identity by
looking back to the past and to Africa regardless. However, Walter's wife,
Ruth, agrees with Mama, her mother-in-law, and hopes that she and Walter can
provide more space and opportunity for their son, Travis. All these are the
different dreams of the Youngers.
As the play
progresses, the Youngers clash over their competing dreams. Ruth discovers that
she is pregnant but fears that if she has the child, she will put more
financial pressure on her family members. When Walter says nothing to Ruth's
admission that she is considering abortion, Mama puts a down payment on a house
for the whole family. She believes that a bigger and brighter dwelling will
help them all. This house is in Clybourne Park, an entirely white
neighbourhood. When the locals of Clybourne Park find out that the Youngers
have bought a house in Clybourne Park, they send Mr Lindner (from the Clybourne
Park Improvement Association) to offer the Youngers money in return for staying
away. The Youngers declines the offer even after Walter loses his share of the
of his late father's life insurance money ($6,500) to his friend, Willy Harris,
who persuades Walter to invest in the liquor store and then runs off with his
cash. In the meantime, Beneatha rejects her suitor, George Murchison, whom she
believes to be shallow and blind to the problems of race caressing America.
Subsequently, she receives a marriage proposal from her Nigerian boyfriend,
Joseph Asagai, who wants Beneatha to get a medical degree and move to Africa
with him. But Beneatha does not make her choice before the end of the play. The
play ends with the Youngers moving out of their apartment to their new house in
Clybourne Park, fulfilling the family's long-held dream. Although their future
seems uncertain and slightly dangerous, they are optimistic and determined to
live a better life. And this they believe can be achieved if they live together
as a family and resolve to defer their dreams no longer.
Setting
A Raisin in the Sun is set in south side of Chicago, United States of America. The time frame is 1950s – a period marked by segregation and enforced separation of whites and blacks along racial and economic lines. Chicago, during this era, was a typical example of a city carved into strictly divided black and white neighbourhood.
A Raisin in the Sun is set in south side of Chicago, United States of America. The time frame is 1950s – a period marked by segregation and enforced separation of whites and blacks along racial and economic lines. Chicago, during this era, was a typical example of a city carved into strictly divided black and white neighbourhood.
Themes
in A Raisin in the Sun
The following
fundamental and universal ideas are explored in the play:
1. Racism
This is the
predominant theme in the play. The play brings to limelight the segregation
that existed between the whites and the blacks in America of 1950s. Where the
blacks live and the type of job they do depict this idea.
2. The
fight against racism
It is a truism
that Hansberry uses the character of Mr Lindner to portray the theme of racism
in the play when he is sent by the Clybourne Park Improvement Association to
prevent the Younger's family from relocating to their new house in Clybourne
Park. This is because the whites have succeeded in making Clybourne Park an
all-white residence; thus, the presence of blacks in the neighbourhood is
frustrating to them. This is obviously a racial act. However, the Youngers are
able to fight against such racial discrimination by boldly declining Mr
Lindner's offer. This shows that resistance is one of the greatest tools used
in fighting racism.
3. The
value and purpose of dreams
The play is an
embodiment of dreams, and this is portrayed in the lives of its main characters
who struggle to deal with the oppressive circumstances which rule and dominate
their lives. It is evident in the play that every member of Younger's family
has a separate and an individual dream with a view to alleviate the suffering
of their family.
4. The
importance of family
Despite their challenges, the Youngers are still able to live together until they achieve or realize the ultimate dream – the dream of buying a house. Mama strongly believes in the importance of family and always tries to inculcate this value in her family members. She tries her best to keep the family together and functioning from the beginning till the end of the play.
Despite their challenges, the Youngers are still able to live together until they achieve or realize the ultimate dream – the dream of buying a house. Mama strongly believes in the importance of family and always tries to inculcate this value in her family members. She tries her best to keep the family together and functioning from the beginning till the end of the play.
5. African
heritage
It is a known
fact that most black residents in the south side of Chicago have lost not only
their origin but also their identity. Hansberry, by employing characters like
Joseph Asagai and Beneatha Younger, tries to portray and regain the lost
African heritage.
Language/Diction
The language
of the characters in A Raisin in the Sun is non Standard
English. They speak a language which sounds like the English language but lacks
the grammatical structure of Standard English. In the play, Hansberry notes
that certain characters like Beneatha and Mama slur their speech. Naturally,
Mama's speech is different from Beneatha's. Also, there are even subtle
differences among the speech patterns of Mama, Walter, Ruth and Bobo.
Unlike their
white counterparts, the blacks in the play do not speak using correct grammar.
The language of the blacks has a mixture of both the grammatical structure of Standard
English and Pidgin.
Style
Style is a
particular way, pattern or design in which a work is written. Some of the elements
of style in this play that will be discussed are:
i. Dramatic
structure
The play is
divided into three acts with their different scenes. Hansberry makes use of the
traditional classic European dramatic forms. She employs the absurdist dramatic
technique. This is evident in the scene where drunk Walter Lee walks in when
Beneatha is dancing the African dance. And this immediately makes him reconnect
with an African past which his character, in reality, would not have known. He
is able to sing and dance as if he has studied African culture.
ii. Symbolism/The
use of symbol
Symbols are
objects, characters, figures and colours used to represent abstract
ideas or concepts. Lorraine Hansberry's A Raisin in the Sun is
not devoid of these elements as she fashions it with symbols which go beyond
the literary meanings of the play. Read about it here.
1. Walter Lee Younger
He is the main
character of the play. He is a dreamer, the only son of Mama, the brother of
Beneatha, the father of Travis and the husband of Ruth. His actions and
character revolve around the plot. Although most of his actions and mistakes
hurt his family, his belated rise to manhood makes him a sort of hero in the
last scene.
Hansberry uses
the character of Walter Younger to project every man's perspective of the
mid-twentieth century African-American male. Walter struggles to support his
family and also discovers new scheme to secure their economic prosperity. He is
handicapped by barriers that obstruct progress to attain his goals. He believes
that his family's problems will be solved by money, but he is rarely successful
with money.
2. Beneatha Younger
The playwright
presents Beneatha as an attractive college student who provides a young,
independent and feminist perspective. She is the daughter of Mama and the
sister of Walter. She has a dream to become a medical doctor. Although she
exhibits a sense of independence, she strongly depends on her late father's
money to attain her dream of becoming a doctor.
Throughout the
play, Beneatha searches for her African identity for which she dates Joseph
Asagai and George Murchison. She feels happy at home with Joseph Asagai, her
Nigerian boyfriend. She identifies much more with his interest in rediscovering
his African root than George Murchison's interest in assimilating into the
western culture. Her nickname is "Alaiyo".
3. Lena
Younger (Mama)
She is the
matriarch of the Younger's family. After the death of her husband, Mr Younger,
she becomes the head of the family. She is a sensitive mother who demands that
members of her household respect one another and take pride in dreams. She is a
dream keeper in the sense that she makes sure her husband's dream of buying a
new house is realized. In spite of her economic hurdles, she still has a taste
for quality as she requires that their apartment must always be neat and
polished. She the mother of Walter Lee Younger and Beneatha Younger, the
grandmother of Travis and the mother-in-law of Ruth Walter.
4. Ruth
(Walter) Younger
Ruth is the
wife of Walter Lee Younger and the mother of Travis Walter. She takes side with
Mama to buy a house with the proposed insurance money. She takes care of the
Youngers' small apartment. Her marriage with Walter is always problematic, but
she hopes to rekindle their love. Her physical outlook reflects weariness,
thereby making her to seem older than her age. Despite their family hurdles,
she continues to be an emotionally strong woman though she is always
pessimistic in her approach to issues.
5. George
Murchison
He is a
wealthy African-American man who courts Beneatha. It is on record that the
Youngers approve George for marriage, but Beneatha dislikes his willingness to
submit to the western way of life and forget his African heritage. Despite his
affluence, Beneatha turns down his marriage proposal. His arrogance and flair
for intellectual competition make him to challenge the thoughts and feelings of
other black people.
6. Joseph Asagai
He is
Beneatha's classmate and a Nigerian. He is among the suitors who seek
Beneatha's hand in marriage. His character in the play provides an
international perspective in Africa. Asagai is proud of his African heritage to
the extent that he hopes to return to Nigeria to help bring about positive
change and modern advancements. He makes more efforts to teach Beneatha about
her heritage and identity. He stands in obvious contrast to George Murchison,
Beneatha's other suitor.
Minor
Characters in A Raisin in the Sun
1. Bobo
Bobo is
Walter's friend and one of his partners in the liquor store plan. Just like
Walter, he gets ripped off by Willy Harris in the liquor store catastrophe.
2. Mr Lindner
Mr Lindner is
the only white character in the play. He is the person sent by the Clybourne
Park Improvement Association to the Younger's family to ask them to vacate
their new apartment in Clybourne Park.
3. Willy
Harris
He is the
friend of Walter. He advises Walter to use his share of his late father's
insurance money for a liquor business. Willy never shows up on stage, but we
often hear about him through his friend, Walter, who speaks greatly of him.
4. Mrs
Johnson
Mrs Johnson is
the Youngers' neighbour. She is very funny. When she visits the Youngers, she
takes advantage of their hospitality and warns them about moving to Clybourne
Park. She is very good at getting free food out of her neighbours. She only
appears on stage for few minutes but manages to gain/earn a piece of pie and
coffee. Mrs Johnson is a glutton.
5. Big
Walter
Big Walter
never appears on stage, but his character is made known through the dialogue of
other characters in the play. He is a good person as his legacy pervades the
play. When Mama reminisces about her life with Big Walter, she speaks of him
with admiration. He values his family over all other priorities.
6. The
two moving men
Although they
don't speak, the few minutes they spend on stage are memorable. Mama admonishes
them for not handling her furniture with the care she feels her furniture
deserves.
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